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The Werewolf of Paris: A Novel (Pegasus Crime), by Guy Endore
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Endore’s classic werewolf novel—now back in print for the first time in over forty years—helped define a genre and set a new standard in horror fiction
The werewolf is one of the great iconic figures of horror in folklore, legend, film, and literature. And connoisseurs of horror fiction know that The Werewolf of Paris is a cornerstone work, a masterpiece of the genre that deservedly ranks with Mary Shelley’s Frankenstein, Bram Stoker’s Dracula, and Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. Endore’s classic novel has not only withstood the test of time since it was first published in 1933, but it boldly used and portrayed elements of sexual compulsion in ways that had never been seen before, at least not in horror literature. In this gripping work of historical fiction, Endore’s werewolf, an outcast named Bertrand Caillet, travels across pre-Revolutionary France seeking to calm the beast within. Stunning in its sexual frankness and eerie, fog-enshrouded visions, this novel was decidedly influential for the generations of horror and science fiction authors who came afterward.
- Sales Rank: #277012 in eBooks
- Published on: 2012-07-17
- Released on: 2012-07-17
- Format: Kindle eBook
From Publishers Weekly
Out of print since 1972, this gruesome classic is based on a true story from 19th-century France; the author of Psycho adds an introduction to this new edition.
Copyright 1992 Cahners Business Information, Inc.
Review
“First published in 1933, Guy Endore’s The Werewolf of Paris may finally be coming into its own. Like those other horror classics, Mary Shelley’s Frankenstein and Bram Stoker’s Dracula, this notorious novel doesn’t just aim for raw head-and-bloody-bones gruesomeness. Perhaps its closest analogue may actually be still another classic about the savage demons inside us all, Robert Louis Stevenson’s Dr.Jekyll and Mr. Hyde. Endore stresses how much we are all the playthings of dark impulses beyond our understanding.” (Michael Dirda - The Washington Post)
About the Author
A Hollywood screenwriter who collaborated on scripts like Mark of the Vampire, as well as receiving an Oscar nomination for The Story of G.I. Joe, Guy Endore (1900–1970) also wrote several novels, including Nightmare and King of Paris. A cult favorite of fans of horror, he is best known for The Werewolf of Paris, which occupies a significant position in werewolf literature, much in the same way that Dracula does for vampire literature.
Most helpful customer reviews
24 of 25 people found the following review helpful.
The Werewolf Classic
By Bruce Rux
This is my all-time favorite novel. I've read it so many times, I've lost track. When I first read it, I couldn't believe it wasn't a nineteenth century French novel, and that author Guy Endore was a twentieth century American.
Werewolf is the odyssey of born pariah Bertrand Caillet, a werewolf in spite of himself. Every life he touches suffers, whether he means it to or not. He rifles graves for sustenance during his lycanthropic episodes, and conceals his identity by becoming a French soldier during the Franco-Prussian War and the Communard uprising. He even finds the one woman whose love might save him, an equally bizarre but oddly touching Jewish outcast named Sophie with decidedly S&M tastes.
The novel is many things, not the least of which is episodic. It's a love story, a war story, a tragedy, and an absurdist comedy, by turns. It's grotesquely funny, and hilariously terrifying. Most of all, it's a mature social satire, and just an incredibly damn good read.
Crime of crimes, this magnificent literary masterpiece has once again fallen out of print. Seek it out in the used book bins, until some publisher manages to rediscover it and put it back on the shelves of your local bookstore.
8 of 8 people found the following review helpful.
Classic Horror
By Michael Dea
Guy Endore's 'The Werewolf of Paris' is rightly considered a classic of horror and being published in 1933 as one of the first literary treatments of lycanthropy. The story is told from the view of an American scholar studying in Paris who happens upon an old manuscript concerning the court martial of Sergeant Bertrand Caillet at the time of the Paris Commune. The story of Bertand is then recounted, how he was conceived when his mother was raped by a priest and how he was born on Christmas Eve, a bad omen according to local superstition. At first he seems like a normal boy but then he starts to have strange dreams and farm animals start to become mysteriously slaughtered. His adoptive uncle suspect something is amiss with young Bertrand, but keeps the suspicions of the local villagers lulled by locking Bertrand's room at night and feeding him raw meat, which keeps his lycanthropy quiescent. This works for a few years until Bertrand is old enough to travel outside the village for his school exams, where he has an unfortunate tryst with a prostitute and acquires a taste for human blood. When his uncle finds out what has happened Bertrand flees to Paris, where he gets caught up in the turmoil of the Franco-Prussian war.
Bertrand is presented as a likable young man afflicted with a condition beyond his power to control. We also sympathize with his uncle who follows him to Paris, conflicted by his love for his adopted son and guilt over the deaths caused by him. Bertrand's crimes are contrasted with the horrors of the Paris Commune and the even greater horrors of the reprisals by the Versailles government. The book meanders somewhat but is still a very good story and a classic of the genre.
5 of 5 people found the following review helpful.
We Are All Werewolves
By K. Jump
Occasionally cited as to werewolves as DRACULA is to vampires, THE WEREWOLF OF PARIS is indeed a good book, generally well-written and at times scathingly insightful. Unfortunately, it is also only sporadically scary or suspenseful, and in fact the eponymous werewolf is really only a supporting player in his own tale. Author Guy Endore uses the story of the unfortunate Bertrand Caillet, son of a licentious priest and born on Christmas Eve, as a framing device through which to explore the nature of evil in the world and, most especially, the depths of depravity to which seemingly all men are capable of plunging if given the opportunity. To this end, Endore compares the evils of the cursed Bertrand, who grows up to be a young man consumed by dark, unholy urges and the proclivity to transform bodily into a wolf from time to time, to the mass wickedness of supposedly good men and women during the French civil wars of the late 19th-century. In short, Endore makes the case that every man is a werewolf. As a subtext, this is a worthy theme. The problem is that it isn't a subtext, but rather the primary narrative thrust of the whole novel. The werewolf story is really just a subplot, often completely lost in Endore's unfocused prose. Endore completely inverts what should have been a successful formula, so that instead of a great werewolf novel we are left with a passable war story in which one of the bit players happens to be a werewolf. THE WEREWOLF OF PARIS is certainly a must-read for fans of the werewolf sub-genre, simply because of its powerful reputation, but it is nowhere near to being the best of its kind. David Holland's MURCHESTON: A WOLF'S TALE is far superior in every way, and actually deals with some of the same themes of importance to Endore, as is Les Whitten's more conventional but expertly crafted MOON OF THE WOLF. THE WEREWOLF OF PARIS aims high, but falls well short of its author's ambition.
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