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Limbo - Short Stories by Aldous Huxley, by Aldous Huxley
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Aldous Huxley's first collection of short fiction, consists of six short stories and a play. Includes:
"Farcical History of Richard Greenow"
"Happily Ever After"
"Eupompus Gave Splendour to Art by Numbers"
"Happy Families" (play)
"Cynthia"
"The Bookshop"
"The Death of Lully"
- Sales Rank: #1244178 in eBooks
- Published on: 2012-06-23
- Released on: 2012-06-23
- Format: Kindle eBook
Most helpful customer reviews
3 of 3 people found the following review helpful.
Early Huxley is still Huxleyan
By Christopher (o.d.c.)
Table of Contents
FARCICAL HISTORY OF RICHARD GREENOW
HAPPILY EVER AFTER
EUPOMPUS GAVE SPLENDOUR TO ART
HAPPY FAMILIES
CYNTHIA
THE BOOKSHOP
THE DEATH OF LULLY
Publication date: 1920, two years before Mortal Coils, to which it bears a relationship such as Please Please Me bears to With the Beatles- less polished, less mature, but the debut of a clearly talented artist.
The stories seem to be front-loaded, the first two much more elaborate than the last five- The Farcical History reminded me of one of F. Scott Fitzgerald's Saturday Evening Post stories, but through a glass darkly- a sensitive undergraduate finds he has a subconscious personality which writes pot-boiler romances (and jingoistic propaganda when the war starts), which is a somewhat fantastic swerve for what starts as a naturalistic, even autobiographical 'sentimental education'-
"Good evening, Mr. Gay," she said, holding out her hand and shutting her eyes; it was one of her disconcerting habits, this shutting of the eyes. "What a pleasure it will be to hear you talking to us again about eschatology."
Gay, who had never talked about eschatology and did not know the meaning of the word, smiled a little dimly and made a protesting noise.
"Eschatology? What a charming subject!" The fluty voice belonged to Henry Cravister, the Headmaster's son, a man of about forty who worked in the British Museum. He was almost too cultured, too erudite.
"But I don't know anything about it," said Gay desperately.
"Spare us your modesty," Henry Cravister protested.
Happily Ever After is about a philosopher's visit to his professor's country home, the professor's daughter, and her fiance, who also visits on leave. What is already evident is the Huxleyan 'point-counterpoint,' the many points of view which are all, to a greater or lesser degree, self-deluding:
"Gibbon," Mr. Petherton had said, "certainly, my dear. How delightful it is to look at these grand old books again. One always finds something new every time."
Marjorie gave him to understand that she had never read it. She felt rather proud of her ignorance. Mr. Petherton handed the first of eleven volumes to her.
"A great book," he murmured--" an essential book. It fills the gap between your classical history and your mediaeval stuff."
"Your" classical history, Marjorie repeated to herself, "your" classical history indeed! Her father had an irritating way of taking it for granted that she knew everything, that classical history was as much hers as his. Only a day or two before he had turned to her at luncheon with, " Do you remember, dear child, whether it was Pomponazzi who denied the personal immortality of the soul, or else that queer fellow, Laurentius Valla? It's gone out of my head for the moment." Marjorie had quite lost her temper at the question--much to the innocent bewilderment of her poor father.
One more quotation from "Eupompus,"
"Years ago, when I was first reading Ben Jonson's Discoveries, that queer jotting of his, 'Eupompus gave splendour to Art by Numbers,' tickled my curiosity. You yourself must have been struck by the phrase, everybody must have noticed it; and everybody must have noticed too that no commentator has a word to say on the subject. That is the way of commentators--the obvious points fulsomely explained and discussed, the hard passages, about which one might want to know something passed over in the silence of sheer ignorance. 'Eupompus gave splendour to Art by Numbers'--the absurd phrase stuck in my head. At one time it positively haunted me. I used to chant it in my bath, set to music as an anthem. It went like this, so far as I remember"--and he burst into song: "' Eupompus, Eu-u-pompus gave sple-e-e-endour . . ."' and so on, through all the repetitions, the draggedout rises and falls of a parodied anthem.
But Eupompus seems only half-Huxleyan. The set up is great, but the ending just a little too slapdash. Funny, mordant, but not something only Huxley could have done. The stories which follow (and which are probably in fact earlier) are even less distinctive. Hence, like, not love.
0 of 0 people found the following review helpful.
Huxley's short stories are amazing!! This compilation is truly awesome
By Fabio
Huxley's short stories are amazing !! This compilation is truly awesome :)
0 of 0 people found the following review helpful.
Five Stars
By Brian Duggan
A full exposure to the creative mind of a great writer.
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