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The Ruins of California, by Martha Sherrill
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For the Ruin family in 1970s California, as described by the precocious young Inez, life is complex. Her father, Paul, is self-obsessed, intrusive, and brilliant. He's also twice divorced, leaving Inez to bounce between two worlds and embracing neither-that of Paul's bohemian life in San Francisco and the more sedate world of her mother Connie, a Latin bombshell who plays tennis and attends EST seminars in the suburbs. As Inez progresses through high school we are witness to a remarkable family saga that renders a strange and fascinating slice of America in transition-one like the Ruins of California themselves, at once bold and innocent, creative and chaotic, obsessed and liberating.
- Sales Rank: #315825 in eBooks
- Published on: 2007-01-02
- Released on: 2007-01-02
- Format: Kindle eBook
From Publishers Weekly
With this eccentric coming-of-age story, Sherrill (My Last Movie Star) offers an interesting, if emotionally distant, window into California culture of the 1970s as well as an almost clinical examination of one extended family. Inez Ruin is a girl caught between suburban Los Angeles, where she lives with her mother, Connie (a former dancer), and her working class grandmother Abuelita, and San Francisco, where her sports car-driving, guitar-playing computer scientist father, Paul, parades a series of beautiful girlfriends. This unconventional family also includes a rich paternal grandmother (an artist's model in her glory days) and an adored hippie surfer half-brother, Whitman. Though Inez's evolution from passive observer to active participant in her colorful world is the story's driving force, the novel lacks a substantive structure. Sherrill describes Inez's world with reportorial precision, but the accumulation of detail doesn't always contribute to the narrative's momentum, giving the story a memoirish rather than a novelistic feel. By the end, however, the relationship between Inez and her father blossoms into the emotional center of this offbeat tale.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* Inez Garcia Ruin is a self-described "baton of a girl," passing from one divorced parent to the other--from her mother, Connie, a former flamenco dancer turned realtor in Southern California, to her glamorous father, Paul, something of a fixture in San Francisco society and scion of the old-money Ruin family. Set in California in the 1970s, this jaunty, beautifully written coming-of-age story is packed with larger-than-life Ruins--not only rakish father Paul but also half-brother Whitman, adventurous, resourceful, and perhaps doomed; redoubtable grandmother Marguerite, who teaches Inez how to ride, serve a proper tea, and understand that the way you do one thing is the way you do everything; and a mob of Kennedyesque cousins swarming around the family beach house in Laguna. And then there is Inez herself, moving between two worlds and belonging to neither, trying to grow up at a time and in a place so laid-back the point is not to try. Sherrill's re-creation of California in the '70s is impeccable, and her story of how a girl trapped in a theatrical family manages to transform herself from an observer into the star of her own life is absolutely irresistible. Michael Cart
Copyright © American Library Association. All rights reserved
Review
Technically perfect characterization in a tale that explores an imperfect family. -- Kirkus Reviews, January 23, 2006
Most helpful customer reviews
1 of 1 people found the following review helpful.
However it's fun if you lived through the 70's
By Jacque
A well written diary a young girl. I think it is more of a teenage- young adult novel. However it's fun if you lived through the 70's.
0 of 0 people found the following review helpful.
I loved it because I am from the golden state and ...
By Nancy
I loved it because I am from the golden state and it mentioned a lot of places that are no longer around.
6 of 6 people found the following review helpful.
Richly Drawn Characters and a Sharp Eye for Detail Infuse Sherrill's Portrayal of California's Cultural Expanse
By Ed Uyeshima
California in the 1970's is ripe with possibilities for a comprehensive lifestyle novel, and author Martha Sherrill has done a fine job mining them with an adept skill at rich characterization and period detail. The ironic title is not an allegorical or geophysical description of the Golden State but the name of the family at the center of this complex intergenerational, cross-cultural story. The novel opens in 1968 with the assassination of Robert Kennedy. From that galvanizing moment, the author traces the formative years of Inez Garcia Ruin, tracing her rather dysfunctional family relationships from grade school to college. Her divorced parents are a case study in socioeconomic opposites - her mother Consuelo is a beautiful half-Peruvian, half-Mexican ex-flamenco dancer living a modest middle-class existence in the suburbs of Los Angeles, while her father Paul is a womanizing, enterprising university professor living high, literally and figuratively, on expensive Telegraph Hill in San Francisco.
At the outset, Inez is just seven years old, and over the course of the story, she inhabits several distinct worlds, as she shuttles back and forth between her parents. Sherrill regales in the contrast of these worlds by providing us a shrewdly observant, meticulously described decade of cultural chasms between Northern and Southern California. The author has Inez spending art-oriented, bohemian weekends with her father, as well as English-style horse riding and tea partying with her grandmother Marguerite. Down south, Inez's life is more spartan and pale as her mother struggles to make ends meet and her grandmother Abuelita works as a housekeeper. Sherrill methodically introduces us to a gallery of intriguing characters, for instance, her childhood best friend is a Mormon girl whose upbeat family provides a much-needed refuge until the teenaged Inez meets the drug-addled and sexually promiscuous Shelley, a girl who would like nothing more than to take her to bed. One of the most interesting characters is Whitman, Inez's half brother, who epitomizes Inez's ideal of regality, breeding and bohemianism.
It is obvious that the author favors the father's side for her richest writing and deepest characterizations seem to reside securely up north, but one of her great strengths as a writer is how she makes use of all these very disparate, racially diverse characters as metaphors for the microcosm California represents - now as well as 1970's. As the self-proclaimed "baton of a girl" is passed around and allowed to drift between disparate locales, Sherrill sketches a deeper, more uncompromising portrait of Inez as she grows up. There are several heartbreaking moments detailed, but there is a realistic sense of hope that makes the story feel less than nihilistic. By having Inez narrate her own story, Sherrill provides a vibrant portrayal of not only an adolescent in emotional transition but a state moving gradually from a hippie-oriented culture to one greeting the Reagan era with surprising openness.
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