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And then there was David Bowie, the uber-freak with the mismatched pupils, the low-tech space face from the planet Sparkle. This was Bowie's third appearance on TOTP but this was the one that properly resonated with its audience, the one that would go on to cause a seismic shift in the Zeitgeist. This is the performance that turned Bowie into a star, embedding his Ziggy Stardust persona into the nation's consciousness.
With a tall, flame-orange cockade quiff (stolen from a Kansai Yamamoto model on the cover of Honey), lavishly applied make-up, white nail polish, and wearing a multi-coloured jump-suit that looked as though it were made from fluorescent fish skin (chosen by Ziggy co-shaper, the designer Freddie Buretti), and carrying a brand spanking new, blue acoustic guitar, a bone-thin Bowie appeared not so much as a pop singer, but rather as some sort of benevolent alien, a concept helped along by the provocative appearance of his guitarist, the chicken-headed Mick Ronson, with both of them unapologetically sporting knee-length patent leather wrestler's boots (Bowie's were red). 'Most people are scared of colour,' Bowie said later. 'Their lives are built up in shades of grey. It doesn't matter how straight the style is, make it brightly coloured material and everyone starts acting weird.'
Suddenly Bowie - a man called alias - had the world at his nail-varnished fingertips, and in no time at all he would be the biggest star in the world.
- Sales Rank: #1771063 in eBooks
- Published on: 2012-06-28
- Released on: 2012-06-28
- Format: Kindle eBook
Review
"The best pop book I have ever read, dislodging Revolution in the Head and England's Dreaming. Superb in every way." -- Matthew d'Ancona "His blow-by-blow account of the performance is breathless in its fan-boy enthusiasm and much of the rest of When Ziggy Played Guitar is rooted in its personal impressions. "The by-product of Ziggy's success was the validation of identity, our identity", Jones writes, and it's hard not to be moved by his hero worship." New Statesman "Jones is a wonderfully fluent writer, with a terrific knack for atmospheric phrasemaking, period detail and juicy factoids." Daily Telegraph "Dylan Jones's account of David Bowie's rise to superstardom. We'll eat up anything about the greatest pop star who ever walked this planet." The Herald Magazine "Unlike previous Bowie biographies, Jones' book says less about Bowie and more about the time, reading often, and in a very entertaining way, like a culturally-aware history textbook. For every mention of the miners' strike or Bloody Sunday there's a full page devoted to The Velvet Underground or A Clockwork Orange - and these pages are needed to help fully explain how Bowie put together this character who proclaimed "let all the children boogie"." whiffytidings.com
About the Author
Dylan Jones is the multi-award winning editor of GQ magazine. He has been an editor at i-D magazine, the Face, Arena, the Observer and the Sunday Times. He writes for the Mail on Sunday, is a Vice President of the Hay Festival and a board member of the Norman Mailer Foundation.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A look at the man who, in a lot of ways, saved my life!
By Pattie
A fantastic look into the mind of David Bowie during his years as Ziggy Stardust/Aladdin Sane and Halloween Jack. The things that made him "rise" in that direction to give birth to Ziggy Stardust and a look at his eventual "fall" when he finally realized that he would have to kill Ziggy before Ziggy killed David. And yes, Ziggy Stardust may very well have kept me alive, because when that album came out I was at a very stressful place in my life. I always felt like an alien of some sort because I didn't fit in anywhere. There were many times that I considered taking my own life, but when I put on that album and her the final song "rock 'n' roll suicide" I realized that I had a friend and kindred spirit in David Bowie. "Gimme your hands cause you're wonderful"!
0 of 0 people found the following review helpful.
Buy it....
By Michael Fierstos
Nice book
2 of 3 people found the following review helpful.
You have to be a massive fan and patient.
By postpunkweaselman
Why patient? As endearing and wonderful as this book is, it is stretched and repetitive to the max. It's as much about the atmosphere and conditions of England at the time as it is about Bowie. There is little new information, and although full of pictures, nothing I haven't seen a million times. How could there be. Bowie has been written about, and written about, to the point where, if you read a dozen or more of the previous biography's, it all starts to blur, and you realize you could write your own. I enjoyed his personal "autobiographical" parts of growing up on the coast and the state of the pop music world. The actual Top Of The Pops storyline, and who else played that night, etc. is repeated and woven in at every opportunity and gets a little boring. Any Bowie fan of that era knows how we felt about him, who he influenced, how "important" he was. This would have been a tremendous edited story for one of those Q magazine Bowie tributes. But as an insight, I kept waiting and waiting for that gem of information I had never heard before, and it just didn't come.
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