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Muses and editors, saviors and publishers: Meet the women behind the greatest works of Russian literature
“Behind every good man is a good woman” is a common saying, but when it comes to literature, the relationship between spouses is even that much more complex. F. Scott Fitzgerald, James Joyce, and D. H. Lawrence used their marriages for literary inspiration and material, sometime at the expense of their spouses’ sanity. Thomas Carlyle wanted his wife to assist him, but Jane Carlyle became increasingly bitter and resentful in her new role, putting additional strain on their relationship. In Russian literary marriages, however, the wives of some of the most famous authors of all time did not resent taking a “secondary position,” although to call their position secondary does not do justice to the vital role these women played in the creation of some of the greatest literary works in history. From Sophia Tolstoy to Véra Nabokov, Elena Bulgakov, Nadezdha Mandelstam, Anna Dostevsky, and Natalya Solzhenitsyn, these women ranged from stenographers and typists to editors, researchers, translators, and even publishers. Living under restrictive regimes, many of these women battled censorship and preserved the writers’ illicit archives, often risking their own lives to do so. They established a tradition all their own, unmatched in the West. Many of these women were the writers’ intellectual companions and made invaluable contributions to the creative process. And their husbands knew it. Leo Tolstoy made no secret of Sofia’s involvement in War and Peace in his letters, and Vladimir Nabokov referred to Véra as his own “single shadow.”
- Sales Rank: #768210 in eBooks
- Published on: 2012-08-07
- Released on: 2012-08-07
- Format: Kindle eBook
From Booklist
Popoff convincingly argues that Dostoevsky, Tolstoy, Osip Mandelstam, Nabokov, Mikhail Bulgakov, and Solzhenitsyn married literary wives who were profoundly absorbed in their husbands’ art and willingly assumed secondary roles. Sacrificial and suffering, they devoted their lives to persecuted, demanding, and even tyrannical husbands. But most of these familiar and derivative stories have been told much better in major biographies: Joseph Frank’s Dostoevsky; A. N. Wilson’s Tolstoy; Popoff’s own Sophia Tolstoy, Brian Boyd’s Vladimir Nabokov, Stacy Schiff’s Véra, and Michael Scammell’s Solzhenitsyn. Popoff tends to whitewash the marriages, quoting, for example, Anna Dostoyevsky’s “I would not wish to change anything in it,” which ignores her husband’s epilepsy, gambling, and poverty—and their dead infant. The author also minimizes Tolstoy’s sexual revelations, fanatical religion, irresponsibility with money, intense jealousy, and final flight from Sophia. The Russian-born Popoff tends to be descriptive rather than analytical, and her English is often awkward and unclear. All the wives survived the writers and became keepers of the flame, who “wrote with one hand and wiped tears with the other.” For libraries striving to maintain extensive collections of literary biography. --Jeffrey Meyers
Review
Praise for Sophia Tolstoy: “Revealing and filled with rich detail.” —The New York Times Book Review “A spirited biograpy. Popoff rescues Sophia’s reputation from the slanders of the Tolstoyans.” —The Wall Street Journal
About the Author
Alexandra Popoff grew up in Moscow, was educated at the Gorky Literary Institute and is now a professor at the University of Saskatchewan. She is the author of Sophia Tolstoy: A Biography, and lives in Canada.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Incredible women
By Gaia Gal
I wonder if I could be as supportive as these wives were, especially Anna Dostoevsky and Sophia Tolstoy! The Russian authors are my most favorite writers - just unbelievable writing. I'm not an intellectual, but I know good stories when I read them. And, if it were not for these women, many of our treasured books woud not have been written. I gave it only 4 stars instead of 5 because after a while all the wives stories were quite similar in their struggles to help their husbands be better human beings. The author, Alexandra Popoff, should be commended for the research she did to compile this tribute to these incredible wives.
4 of 4 people found the following review helpful.
The story behind some of the best works of literature
By MikeyR
I have always been fascinated by Russian literature mainly because such great works come out of such stifling and authoritarian political systems, tsarist or Soviet. In this book I found the incredible stories behind some of the giants of literature - Tolstoy, Dostoevsky, Solzhenitsyn, Nabakov and others. The main point that weaves each of these narratives together is that the production of these works was an active partnership between the writer and their wives. What is most enjoyable about this book is not only the powerful, gripping narrative (I could barely but the book down), but the sense that I am getting the inside story about how works like War and Peace were created. It is not like learning how sausage is made but actually the complete opposite: I want to know this. It gives these works of literature a new light, and I actually look at them differently having read this book.
There was a true partnership with their wives who had a significant impact on their husband's writing. The other side of each of the narratives told is the human side. We can see the suffering of writers in the Soviet period, the KGB threats, the Gulag system. I have memories of some amazing scenes from the book such as how the wife of one Russian poet (Mandelstam) kept the writer's poems in her head by memory so that she could keep her word to her husband, who died after being imprisoned, that she would preserve them. The political persecution and utter danger that so many of these writers and their wives went through and their stolid determination to trek ahead and bring their works to the world was inspirational. I highly recommend this book for anyone who has ever enjoyed reading one of the great Russian novels or poems. It will open your eyes!
6 of 7 people found the following review helpful.
Married to genius
By Amaranth
"The Wives" is a breezy read through the lives of six famous Russian authors' spouses: Sophia Tolstoy, Anna Dostoevsky, Vera Nabokov, Elena Bulgakov, Natalaya Solzhenitsyn, and Nadezha Mandelstam. Like Outlaw Marriages: The Hidden Histories of Fifteen Extraordinary Same-Sex Couples, it's a quick read, summaries of famous women and their husbands' literary works. Mandelstam, Solzhenitsyn, and Bulgakov dealt with Soviet oppression. The Nabokovs fled the Soviet Union for America, living their lives in relative peace. Anna Dostoevsky helped her epileptic husband Fyodor deal with writing deadlines, his gambling addiction- the early years of their marriage were rocky, but the remainder of it was serene. She acted as his Muse, his publisher;Fyodor was nearly 3 decades her senior-and in the nearly 3 decades after his death, she carried on his legacy. In contrast, the Tolstoys had a tumultuous relationship from the get-go. It was stormy from the beginning to its bitter end at The Death of Tolstoy: Russia on the Eve, Astapovo Station, 1910 There were battles over diaries, copyrights. Sophia Tolstoy found herself in the position of her family's sole breadwinner after Tolstoy's conversion in the 1880s. Ironically, the Tolstoys come across as the most modern of all the marriages. Leo Tolstoy corresponded in Esperanto with Pyotr Tchaikovsky's openly gay protege, Sergei Taneev, and threw jealous fits when Sophia befriended him. Sophia's "Song without words" about an unhappily married woman who falls in love with a gay composer and checks herself into an asylum, while the composer goes on a European vacation with his boyfriend, can be deemed the slash fiction sequel to Leo Tolstoy's Kreutzer Sonata Both Tolstoys were approving of their youngest surviving child, Alexandra, having her father's secretary, Varvara Feokritova, as her companion. This was in the late 19th century. You can't make this stuff up. The Solzhenitsyns' marriage comes across as a soap opera entangled with the Soviet regime. Natalaya bore Alexander's children, when it had been assumed that due to cancer treatment, he was incapable of fatherhood. His wife refused to grant a divorce, despite the fact his mistress Natalaya was bearing his children. Solzhenitsyn penned his experiences into Cancer Ward and The Gulag Archipelago Eventually, they found freedom. Natalaya was quite harsh on Sophia Tolstoy, saying, "She should've moved into a cabin with Leo." Sophia bore nearly a dozen children to Leo;Natalaya comes across as easy on Leo's negligent fatherhood. Elena Bulgakov inspired The Master and Margarita, which would inspire the Rolling Stones' song Sympathy For The Devil For Bulgakov, his wife Elena represented sexual and literary liberation.
Popoff breezes through the wives' lives rather quickly. It's more of a primer. Her Sophia Tolstoy is a far superior book, and The Diaries of Sofia Tolstoy is a more direct read. "The Wives" makes a good beginning, like embarking onto the Samara steppe, or the vastness of the River Dnieper.
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