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The Greatcoat: A Ghost Story, by Helen Dunmore
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Bestselling novelist Helen Dunmore’s historical novels have earned her comparisons in the press to Tolstoy and Emily Bronte. In her newest book, Dunmore mines the past to chilling effect in this evocative and sophisticated ghost story about a love affair between a neglected wife and a mysterious soldier.
It is the winter of 1952 when Isabel Carey moves to the East Riding of Yorkshire with her new husband, Philip, a medical doctor. While Philip spends long hours working away from home, Isabel finds herself lonely and vulnerable as she adjusts to the realities of being a housewife in the country.
One evening, while Philip is on call, Isabel is woken by intense cold. When she hunts for extra blankets, she discovers an old RAF greatcoat hidden in the back of a cupboard. Sleeping under the coat for warmth, she starts to dream and is soon startled by a knock at her window. Outside is a young RAF pilot wearing the same RAF coat. His name is Alec and his powerful presence disturbs and excites her as they begin an intense affair. Nothing though has prepared her for the truth about Alec’s life, nor the impact it will have on her own.
- Sales Rank: #608724 in eBooks
- Published on: 2012-10-02
- Released on: 2012-11-06
- Format: Kindle eBook
Most helpful customer reviews
22 of 23 people found the following review helpful.
Cleverly constructed haunting story
By Ripple
Set in 1952 in Yorkshire, a young couple move into a rented flat. Philip is the new, young doctor while his new wife Isabel struggles with the isolated life with no friends or family and Philip's frequent absence due to the demands of his job. Things take a turn to the spooky when, waking from under the warmth of the old greatcoat Isabel finds in the flat, she hears a tapping at the window and finds there an RAF pilot, Alec, who appears to know Isabel intimately.
Ghost stories are not what you might expect from Helen Dunmore and this novella has her characteristic intelligence and strong writing. The central plot structure, of which I can of course not reveal, is very clever and the ending is suitably satisfying. However, the reader is left confused for much of the short book about time-frames (without giving too much away, we switch between 1952 and World War 2) and the brevity of the book doesn't allow for much beyond the basic characterization facts of the protagonists.
Of course some of the reader's confusion is justified in the sense that Isabel herself is equally confused, although her fascination with Alec overrides any great questioning on her part. It is of course ridiculous to expect a ghost story to fit with reality, but there are certain areas where Isabel appears rather too accepting of strange events.
Dunmore effectively captures the haunting feeling of the story but my sense was that we see rather too much of the workings of the story rather than getting a sense that the story develops organically. I could always see the author's hand at work in driving the story forward. This isn't an altogether bad thing when that author is someone of Dunmore's calibre, but I never felt caught up with Isabel's plight although the story itself is compelling and clever. I just felt a bit too distanced from it.
Despite feeling ahead of Isabel with large parts of the story, the ending though was unexpected and even a quite moving. As a brief, very well constructed ghostly novella, it ticks all the boxes, but probably as much due to the length of the book as anything, it isn't as involving as I would have liked.
14 of 15 people found the following review helpful.
A Fun Potboiler
By Roger Brunyate
It's odd, I've just been complaining about one book (NIGHT FILM by Marisha Pessl) veering off into the occult, and another (MAIDENHAIR by Mikhail Shishkin) that switches between real and unreal without any warning, but here I am enjoying a ghost story by Helen Dunmore that is also quite irreal. Partly, I think, because I knew what I was getting; the words "ghost story" appear on the cover. And partly because it is set with careful detail in the familiar world of my own youth: Britain after WW2, still in the grip of rationing. The story of newlywed Isabel Carey moving with her young doctor husband to an unfamiliar Northern town, is similar to all those English novels I have been reading my entire life. Helen Dunmore is yet another of those British authors of the past few years (McEwan, Mawer, Faulks, Atkinson, Lively) who seem to have been recycling old styles for mostly new purposes. The trouble was that I did not see just what Dunmore's purposes were,* beyond nostalgia for the gothic atmosphere of her Booker Prizewinning novel A SPELL OF WINTER, reduced to novella length and transposed to the second war.
But first let me summarize briefly. Isabel and her husband take ground-floor rooms in a house owned by a reclusive landlady given to anxious pacing of the floor over their heads. Seeking extra warmth at night, Isabel digs an old RAF greatcoat out of the back of a closet and puts it on the bed. This conjures up the ghost of a former pilot who appears to know her well, and before long she is spending a lot of time with him, including visits to the deserted airfield outside the town. There is no doubt whatsoever that he is a ghost, although Dunmore cavalierly breaks the convention that hauntings should leave no lasting evidence in the real world; Isabel, a non-drinker, has to buy gin in secret to replenish the level in the decanter when her husband gets suspicious. The real mystery is why the pilot should treat Isabel with such familiarity, and why she should have flashbacks to a completely different existence when she is with him. The role of the landlady also comes into question, as she is also strangely affected by the pilot's visits.
Eventually, all these things will be explained, more or less, though the book is most enjoyable the fewer questions you ask. And on that level, I was perfectly satisfied. I might not have asked for more, were it not for some of the reviews on the back cover. "Dunmore has a sharp eye," writes The Guardian, "for the hairline cracks in a new marriage, for what is not said as passion begins to dwindle." You can see that theme here, certainly, but the visitations do not arise out of it, nor do they catalyze the outcome of Isabel's relations with her husband. The Sunday Herald says that Dunmore "exposes the corrosive half-life that lingers on in homes and hearts long after hostilities have ceased." That would be a marvelous theme too, but Dunmore only hints at it. She tells a story that grips you for as long as it lasts, but I'm afraid misses the opportunity to make anything more lasting of it on the human or historical level.
*I now gather that this was written on commission from Hammer Films, which may explain its lack of the psychological depth normally associated with Dunmore, and the sense that it was a book to be read once (or seen once onscreen) and then forgotten.
8 of 8 people found the following review helpful.
A haunting tale of love highlighted by a clever twist of storytelling
By Noelle the Dreamer
I found this title courtesy of Josie-Mary in Devon, who believes herself to be born in the wrong era and I was only too delighted to see our library listed this novel in their catalogue!
Author Helen Dunmore pens a seemingly prosaic story of two newlyweds moving into a cold little flat in 1952 Yorkshire. Philip, a young doctor spends long hours working and his wife Isabel feels isolated as she tries to adjust to country life.
During one of many lonely walks, Isabel discovers an R.A.F. bomber airfield, a derelict ghost of a war now 7 years over, a stark reminder of losses including her parents in a faraway camp.
When she finds in a cupboard a greatcoat such as worn by WW2 R.A.F. officers, Isabel inquires from her dour landlady of its origin only to be told it is hers if she wishes to have it.
Isabel enjoys the great coat's for its woollen warmth as she lays in bed dreaming until one night, she hears a knock at the window and sees a young officer, his coat resembling the one she found. He seems to know Isabel and she feels she knows his name...
What follows is a haunting tale of love highlighted by a clever twist of storytelling, that of the existence of a fine line betwixt this world and the after world, seen perhaps only by those who have experienced great loss.
I have always felt a pull towards WW2 era stories and this plot line was singularly fortuitous.
In 'The Greatcoat' Helen Dunmore gives us a beautifully crafted story of passion drawn against the dramatic background of WW2 and postwar Great Britain.
You will not want to miss it!
5 Stars!
Finally, as you know, unless specified, all reviews reflects only my opinion!
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